For the KeypadLinc with clear buttons, SmartHome provides an MS Word template for creating your labels. I found it lacking in many ways. So, I made my own.
Here are the problems I had with SmartHome’s template:
Ssl patchbay template Patchbay Label Template 470 KB - DWG WTT961 Manual 22 KB - PDF.The template will not fit the PX2000 patchbay, the spacing of the connectors is. Patchbay template Of the front of the patchbay that I captured from Behringers PDF documentation. The PB-48 is a patchbay that just works, all the time, every time. This PDR-369 patch bay from Hosa is designed to provide 12 channels of balanced audio throughput for any situation where you require easy to reach XLR connectors. Behringer’s ULTRAPATCH PRO PX3000 is just what you need. $99.99 List Price: $149.99 You Save 33%. High Demand backorder 30+ days. Call Our Sales Pros for.
- The ultimate patchbay. Fully balanced and extremely durable, our 48-point patchbay makes all your connections easy. Fully balanced, extremely durable 48-Point Patchbay.
- Custom Templates. Create your own custom templates and share with other users. Virtually infinite design possibilities for Bantam, Data, Fiber, GPO/B Gauge, Jack, Termination Panel, Trumpeter, MIDI, Video or any other type of patchbay. PRO Define default socket configuration for termination panel templates.
- Labels don’t quite fit the buttons. Especially the labels for the large buttons are too small, leave too much white plastic showing around the outside.
- Designed for 8.5 x 11 paper. I wanted to print on photo paper, which I have in 4×6 size.
- Their use of MS Word is really primitive, relying on manually changing the paragraph spacing amounts to center the text vertically. The spacing you have to use is different depending on how many lines of text you put in the button.
I made my own MS Word label template, with these differences from SmartHome’s:
Behringer Patchbay Template
- Page size is 4×6″, to match the standard-sized inkjet photo paper. KeypadLinc labels work out quite nicely printed on photo paper. The thicker stock diffuses the backlight more evenly.
- Adjusted the sizes of the buttons to make a better fit.
- Each button contains a table with a single cell, and that cell is set to center text vertically. This way you don’t have to screw around with paragraph spacing values to center the text. As you add more lines of text, it recenters itself automatically.
- Better use of MS Word styles, to make it easier to alter the style of all the buttons at once.
I also included some instructions on how best to apply effects like background colour (use the Format Auto-shape’s “Colors and Lines” feature, rather than the “Borders and Shading”… it gives you access to options like gradient fill and using an image as the background.)
Here is my label template file: KeypadLinc Label Template
And here’s the file that produced the labels in the photo above: Bedside KeypadLinc Labels
It shows the use of gradient-shaded backgrounds and a photo background. The text on the FIREPLACE button uses the Engrave font effect, to make it more legible against the fire background image.
Patchbays can be intimidating. It almost feels like you’re Jack Bauer disarming a bomb. Civ 6 dlc mac torrent. There are dozens of different cables. Everything is color coded in some cryptic language. And one wrong move can bring things to a screeching halt. It’s a lot of pressure.
Patchbays are actually pretty simple. They’re used to connect one piece of equipment to another. As long as you understand how they work, there’s nothing to panic about.
Most commercial studios use a patchbay — especially those with a console. It’s the central nervous system of the studio. Everything is connected to the patchbay. It allows you to quickly connect different pieces of gear together without having to crawl behind them and physically run cables from one unit to the other. But the more gear you have, the bigger your patch bay needs to be.
You know those old movies where people would make phone calls and speak to an operator? There were usually a bunch of women sitting in front of a wall of cables, smoking cigarettes and patching calls to Albuquerque. It’s kind of like that sometimes, but instead of routing phone calls to New Mexico, you’re routing a kick drum to a compressor.
Even hybrid studios with only a few pieces of outboard gear can benefit from a patchbay. It’s all about reducing the amount of time you spend setting up, and increasing the amount of time you spend making music. If you have a studio with analog equipment, you’ll benefit from a using a patchbay. Just be prepared to spend 10-20% of your gear investment for all the cabling you’ll need.
Patchbay Design
Typically, patchbays have 24 channels per unit. They handle both input and output for each channel, which makes 48 “points” or connections.
Most modern patchbays use tiny telephone (TT), or bantam connectors on the front. Although, some patchbays use 1/4” TRS or even XLR connectors. The rear typically uses DB-25 connectors to save space, but some units use 1/4” TRS or XLR.
DB-25 (or D-sub) cables are multi-pin connectors that can carry 8 analog audio signals simultaneously. One end of the D-sub cable has a single DB-25 connector. The other has an 8-channel “whip” of XLR or 1/4” TRS connectors.
This is a huge space-saver. For instance, console channel outputs 1-8 connect to the patch bay using a single cable, instead of 8 separate TRS cables.
Patchbay Layout
Patchbays are organized based on the needs of the studio, so none of them are laid out the same way. The whole point is to speed up your workflow by allowing you to make common connections quickly. If your studio is set up for recording, you might set up patches for cue (headphone) sends or synthesizers. If you’re set up for mixing, you’ll probably use inserts and outboard compressors.
Generally, patchbays are organized in order of signal flow. Outputs are almost always on the top row, with inputs on the bottom row. This makes it easy to patch one piece of gear into another.
Some studios color-code their patchbays to help separate the different sections. For instance, you use different colors for preamps, EQs, compressors, and effects units. Or, you could use one color for console connections, and another for outboard gear. Even using different colors for inputs and outputs can help speed things up.
Signal Flow
Most manufacturers provide patchbay templates to help you line up the text to the connection point. Here’s how the signal flow typically breaks down on a patchbay:
Studio Mic Lines: Output from the mics in the live room
Channel Mic Inputs: Mic level console inputs
Direct/Group Outputs: Line level console outputs from channels and groups
Multitrack Sends/Inputs: Line level tape machine or digital audio converter inputs
*Digital audio converters connect to the DAW using USB, Thunderbolt, etc. The inputs are digitally assigned to DAW inputs.
Multitrack Returns/Outputs: Line level tape machine or digital audio converter outputs
Channel Line/Monitor Inputs: Line level console inputs used for monitoring
That will get sound from the live room through the console, into your DAW and back out of your speakers. But what about the rest? Model 98 mauser serial numbers manufacture date. Remember, every patchbay is different. These are just some of the most common things you’ll see on studio patchbays.
- Insert Sends
- Insert Returns
- Aux Sends
- Aux Returns
- SPU* Outputs
- SPU* Inputs
- Cue Sends
- Aux Inputs
- Mults (Multiple duplicate signals. A single input and multiple outputs.)
*SPU: Signal Processing Unit. A piece of outboard gear like an EQ or compressor.
You may be doing some quick math in your head right now. If you have a 24 channel console, that’s 72 TT cables just to get signal from the live room through the monitors. Not to mention the inserts, auxes and anything else you may need.
Thankfully, patchbays don’t require a cable to make a connection if they’re normalled.
What is Normalling?
If you have connections on your patchbay that are semi-permanent, normalling allows the signal to pass through without using a cable.
For instance, there’s no point in connecting every studio mic line output to every channel mic input. You could normal these connections, so the signal flows without having to make a patch.
![Behringer Patchbay Template Behringer Patchbay Template](https://www.gearslutz.com/board/attachments/so-much-gear-so-little-time/369800d1383341703-can-someone-take-look-my-patchbay-config-parallel.jpg?s=db5505e7404d8aaa84b381ae3214c8ca)
Normalling comes in three different forms. Essentially, it controls how the patchbay reacts when a cable is plugged in.
Full-Normal
Signal passes from the outputs to the inputs, without the need for a cable. The signal is broken when a cable is plugged into either the top or bottom row.
Half-Normal
Signal passes from the outputs to the inputs, without the need for a cable. The signal is only broken when a cable is plugged into the bottom row.
This allows you to “mult” a signal by plugging a cable into the top row and route it to another input. The original signal continues to the original input, as well as the “multed” input, creating a duplicate signal.
Non-Normal
Signal only passes when a cable is connected. Often used when the top row and bottom row are unrelated.
Typically, studio mic lines and channel mic inputs are normalled. You’re always going to plug a mic into a preamp, and there’s little need to mult it at this stage. Eastland mall tulsa drivers test.
Multitrack returns are usually half-normalled to channel line/monitor inputs, as you may want to mult the signal when mixing.
Insert sends are usually half-normalled to insert returns so the signal will continue to flow as you’re completing the patch.
Should I Get a Patchbay?
I don’t know, should you? If you spend more than 15-30 seconds trying to connect a piece of equipment in your studio, then you could probably benefit from a patchbay. Most importantly, it gives you somewhere to practice and experiment with signal flow, so the next time you walk into a commercial studio you can won’t panic trying to set up the cue sends. You’ll be calm and able to focus on the job at hand, just like Jack Bauer.
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